My chosen art is verbal. I once tried drawing, until an artist friend described her own relationship to drawing: it was irresistible, she said, something she could do all day long and never notice the passage of time. Anything else was an affectation. Until then, I had thought my writing was an affectation, but in her words, I recognized myself: writing is my art.
I write as a pipeline to a deeper well within me that I cannot otherwise tap; when I am writing, a vein is opened, and while it is flowing, gunk is flushed out and something fresher—maybe brighter, maybe darker, but always fresher—makes its way to the surface. My art is to shape the flow of words into stories that make meaning—one kind of meaning for myself, other kinds of meaning for my readers. I crave the buzz of capturing place and character and situation in language that is delicious and lyrical and just a bit opaque. Because I don’t really want to tell; I want to evoke, and open someone else’s vein.